Kelsey Oliver
Kelsey Oliver
Summertime
Music : Marc Rebillet
Choreographer : Betty Mansion
Dancers : Betty Mansion, Veronique Lemonnier, Sarah Magassa, Kelsey Oliver, Ellen Houck, Gabriel Goux, Alessio Sutera, Pierre Lamour, Jérôme De Meûter Videographer : Luca Fernandez
Réalisé avec l'aide de la Fédération Wallonie Bruxelles, Service de la Danse
my socks are brown
at the Beijing Dance Festival
《我褐色的袜子》
my socks are brown is an exploration of vocalizations between dancers as they relate to seemingly abstracted takes on societal events and human perception. There is an integration of real life scenarios into an experience of physicalized theatre that comprises of illogical language and devised movement. Discombobulated conversation becomes the mean to conjoin different planes of thought. The reflexivities are seemingly random, but related and intertwined. As two performers take on the roles of an infinity of thoughts and perceptions, they do not represent any one thing, but rather, the possibilities of thought within a body of minds.
Choreographers: Jun Shen, Ladonna Matchett, Kelsey Oliver
Dancers: Ladonna Matchett, Kelsey Oliver
Creative process Videographer: Clarence Lam
This piece was performed at the Beijing Dance Festival in July 2016
the creation process:
how do you like the smell of me
there are so many layers
of unreckoned sterile,
i don't know what has been suppressed under my packaging
waiting to be eaten
and what has long gone since the meat rollers passed dissipated
before you could sniff the scent of it
the sense of it
now
i can tie pretty bows all over these corners
these sharp witted don’t-touch-me-now
conjoinings annoyances that I like
but that would be beyond the point
because it is
fragrance behooves your buds doesn’t it
eradicates your dictates of yearn
i disgust you,
but i like it
don’t forget to breathe me in
-kelsey oliver
a monologued excerpt from my socks are brown
Dresses with Catheter
Dresses with Catheter
Written, Choreographed, and Performed by Amy Litzinger and Kelsey Oliver
Dresses with Catheter is a movement-infused spoken dialogue that is rooted in discussing and unpacking accessibility issues. The text surrounds the daily interaction with restrooms and their social context. Situated in the round, the audience witnesses two bodies, differing in abilities and experience, uncover their perceptions of existing in private and public spaces.
This piece was performed on February 11th, 2017 at The Elizabet Ney Museum in Austin, Texas.
The performance was a part of Mi Casa Es Su Teatro, a day of site-based work performed in local homes, as a part of FronteraFest.
For more info about FronteraFest, click here.
**We are speaking on behalf of ourselves and not any organization that we are affiliated with.**
**We do not own the rights to this music. We are using it for educational purposes.**
Music: “I’ll Be Seeing You” by Billie Holiday
Videographer: Joe Cornelison
at Mi Casa es Su Teatro by FronteraFest in the Elizabet Ney Museum
at Mi Casa es Su Teatro by FronteraFest in the Elizabet Ney Museum
at Mi Casa es Su Teatro by FronteraFest in the Elizabet Ney Museum